The Serbian Cultural Centre in Paris on Friday evening, October 11, 2013, hosted an extraordinary event. A promotion of the book of poetry by Jovan Dučić and an exhibition of unpublished Dučić correspondence was organized by book publishers in cooperation with the Serbian Cultural Centre in Paris.
This is a major cultural event of the year because we are marking the seventieth anniversary of Dučić's death by issuing the first bilingual edition translations of poems in French of this prince of Serbian poetry. About the book spoke: literary critic Slavko Maleševic, editor of this edition Ljubomir Mihajlovic, the publisher Bishop Maxim Vasiljevic, a poet Komnen Bećirović, while actor Sasha Petronijević Dučićevu read poetry in French and Serbian.
On the main stage of the National Theatre last night there was a premiere of the opera "In hoc signo" , on the occasion of the 17 centuries of the Edict of Milan.
The closing manifestation of the state programe of the celebration of the 17 centuries of the Edict of Milan was the performance of the Opera premiere of Don Marco Frisina's "In hoc signo" on the main stage of the National Theatre in Belgrade. The premiere was attended by His All-Holiness Ecumenical Patriarch Bartholomew, His Holiness Serbian Patriarch Irinej, His Beatitude Archbishop Chrysostomos of Cyprus, His Eminence Metropolitan Sava of Warsaw And All Poland, His Beatitude Archbishop Symeon, the Locum tenens of the Metropolitan's throne of the Orthodox Church of Czech lands and Slovakia, President of Serbia Mr. Tomislav Nikolic, Ministers Nebojsa Rodic, Zorana Mihajlovic, Sulejman Ugljanin and Sasa Radulovic, as well as representatives of other Local Orthodox Churches, representatives of religious communities and diplomatic corps.
The Orthodox exhibition is dedicated to the 1025th anniversary of the Baptism of Rus.
The image of Christ in iconography has never been so widely and fully represented in Belarus. 9 museums from Belarus, Russia, Serbia and Ukraine present two hundred images depicting the life of Jesus Christ from Nativity to Ascension.
The oldest of the Orthodox icons is the Russian one dated to the 15th century. It is represented by the State Tretyakov Gallery and the private museum of Russian Icons in Moscow. The Kiev’s icon dates back to 16th century. For the first time the exhibition features the Balkan region.
Germany's Hildesheim Cathedral in Lower Saxony has one of the most complete surviving ensembles of ecclesiastical furnishings and treasures in Europe, including many medieval masterpieces made between about 1000 and 1250. The cathedral was designated a UNESCO world cultural heritage site in 1985. Major renovations that are currently underway provide the opportunity for Medieval Treasures from Hildesheim-an extraordinary selection of about 50 medieval church treasures, most of which have never been shown outside Europe-to travel to The Metropolitan Museum of Art, where they will be on view beginning September 17.
Eleni Evangel MLA has officially opened the photographic exhibition "Medieval Architectural Beauties of Serbia" at the Perth Town Hall. The exhibition is organized as part of the 2013 Metropolitanate Day celebration.
The exhibition is inspired by the medieval heritage of Serbia and includes images of churches, monasteries, fortresses, buildings and landscapes of outstanding beauty. These places are the home of many local and international events and are often the setting of fascinating tales, standing as living reminders of the historical significance of the region. The selected photographs take us on a journey of some of the most significant monuments and regions in Serbia, depicting the unique environment in which these churches, monasteries and fortresses were built. Some of them have been thriving ever since; others stand as stark reminders of the significant moments in history. The exhibition aims to show the value and beauty of religion, tradition and nature and bring them closer to the public.
It all started with the Church of Haghia Sophia in Nicaea. Then Haghia Sophia in Trabzon. Both of these glorious Byzantine churches – which functioned for many decades as museums – have now been turned into mosques, a harsh reminder of their forced conversion centuries ago. And this in accordance with recent sudden decisions by modern political authorities.